Judy Radul
Words No Pictures Pictures No Words

May 11–June 16, 2018

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Just a couple of inches below your brain is a tongue in cheek. Words No Pictures Pictures No Words features new works from Judy Radul’s extensive experimental practice that merges form, media, cognition, language, humour and emotion. The exhibition is a staging ground for a set of interconnecting experiments as artworks—active, dynamic and surprising complexities of visual phenomena. Together they make a multifaceted looping chain of operations.

Following her related solo exhibition at Witte de With concerning doors, windows, pages and video as cultural techniques, here again cameras, screens, doors, glass, books and magazines are considered equal media; their forms and materialities connect to consciousness and structure our reality. Think forms, not semiotics.

The works themselves include a room-dividing screen made of translucent smoked glass. Its lively surface at once reflects itself, the viewer, the gallery, and the assortment of ceramic birds seen through the glass which act as placeholders of visual focus. Also included is a reading pavilion staging the connected but separate reading of two copies of Michael Snow’s 1975 intermedial artist book Cover to Cover, itself a physical negotiation of the page and the cinema. The installation Man’s Hands (Words No Pictures Pictures No Words) comprises two automated page-turning machines, two artist magazines, two video cameras, two kinetic sculptures, and a small cinema enclosed by a theatre curtain, together making a compositional circuit of vision, robotics, mechanics, images, words and materials. Along with the custom camera-motion control and live-video presentation system that Radul has developed over the past nine years, the page-turning machines are an evolving form in her work.

Turning a page is an increasingly obsolete gesture, its recto/verso encounter replaced by the “swipe.” The page-turning machine turns something that is very easily, even thoughtlessly done by most of us, into a complex mechanical task, here, turning the pages of Radul’s artist magazines. This custom-designed automation—a blend of DIY and sophisticated programming and fabrication—creates a kind of “bad actor”: a machine that makes each step of a thoughtless task into a calculated and segmented operation.

The turned pages are being “read” by video cameras, their occasionally eccentric framing, motion and rhythm choreographed by the artist. The magazine titled Words No Pictures comprises words about hands, hand transplants, perception, experience and brain plasticity. It includes newspaper narratives concerning the first single, and one of the first double, hand transplant recipients as well as quotes and a few lines freely adapted from Maurice Merleau-Ponty’s last work, The Visible and The Invisible, 1968. Mearleau-Ponty was continuously describing the things at hand—including his left hand touching his right hand touching something—while trying to articulate a deep interconnectedness, beyond the object subject divide. Also sampled is Brian Massumi’s 2011 publication, Semblance and Event, for his description of the rolling, turning and returning of the waves and troughs of experience.

Pictures No Words is a picture-only magazine which plays with analogues for brain imagery. The tiny images which punctuate the picture sequence are taken from an archive of images based on the International Affective Picture System, a database of standardized pictures ranging from the banal to the erotic to the disgusting, designed for studying emotion and attention, widely used in psychological and cognitive research. This Open Affective Standardized Image Set (OASIS), an open-access online stimulus set containing 900 colour images depicting a broad spectrum of themes, including humans, animals, objects, and scenes, along with normative ratings on two affective dimensions-valence (i.e., the degree of positive or negative affective response that the image evokes) and arousal (i.e., the intensity of the affective response that the image evokes).

The kinetic sculptures shake fabric strips printed with the same images used for cognitive and affective testing, as well as descriptions of the images. These short, strangely evocative attempts at denotation are excerpted for research papers, where, out of necessity to compile data and prepare reports into which dozens of pictures cannot be placed, the images must be described in writing. In these translations from image to text, the descriptions also unwittingly reveal gender, race, and cultural biases.

In Words No Pictures Pictures No Words, Radul continues her ongoing experiments in the tragicomedy of categorical thinking and description, evoking, but purposely never reaching the goal of representation. Any suggested dichotomy between words and pictures is questioned, and recto/verso is reversed, expanded, repeated and refracted in multiple circuits.

Open by appointment

950 East Cordova Street
Vancouver, British Columbia
V6A 1M6 Canada

+1 604 736 1554
[email protected]
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Catriona Jeffries Owner, Director
Peter Gazendam Director
Francesca Szuszkiewicz Administration and Research
Steven Cottingham Communications and Archive
Paul Plater Finance
SITE Photography Documentation
Scott Ponik Design
Alex Mahan Web Development

Exhibition History

Judy Radul
Words No Pictures Pictures No Words
May 11–June 16, 2018

Julia Feyrer
Background Actors
March 16–April 21, 2018

Rebecca Brewer, Rochelle Goldberg, Charmian Johnson, Christina Mackie
Nature
January 26–March 3, 2018

Elizabeth McIntosh
ISLANDS
November 17–December 22, 2017

Ron Terada
TL; DR
September 15–October 28, 2017

Elizabeth McIntosh, Monique Mouton, Silke Otto-Knapp
May 26–July 8, 2017

Ian Wallace
Street Floor Table Page Wall Canvas, 1969–2017
March 31–May 13, 2017

Ashes Withyman Moore
Bullae
March 10–18, 2017

Geoffrey Farmer
The Big Kitchen
January 14–February 25, 2017

Rebecca Brewer
The Holding Sky
November 12–December 17, 2016

Raymond Boisjoly
September 16–October 29, 2016

Damian Moppett
May 6–June 25, 2016

Liz Magor
March 5–April 23, 2016

Brian Jungen
January 22–February 27, 2016

Valérie Blass
To only ever say one thing forever the same thing
November 21, 2015–January 9, 2016

Janice Kerbel
Score
September 12–October 24, 2015

Liz Magor, Jerry Pethick, Ron Tran
A view believed to be yours
May 15–June 27, 2015

Myfanwy MacLeod
TELL HER NOTHING SHE TELLS ALL
March 21–May 2, 2015

Ian Wallace
The Construction Site
January 17–February 28, 2015

Duane Linklater
But the sun is up and you're going?
November 15–December 20, 2014

Ron Terada
Jack
September 19–October 25, 2014

Jerry Pethick
Where sidewalks leap upon the table: works on paper 1966–2000
May 24–June 28, 2014

Rebecca Brewer
The Written Face
March 29–May 10, 2014

Geoffrey Farmer
The Grass and the Banana go for a walk
February 8-March 15, 2014

Gareth Moore
Household Temple Yard
November 26, 2013–January 11, 2014

Damian Moppett
Salute
September 20–November 2, 2013

Brian Jungen, Duane Linklater
Modest Livelihood
June 7–July 20, 2013

Andrea Büttner, Joëlle de La Casinière, Gareth Moore
April 26–June 1, 2013

Raymond Boisjoly
March 1–April 13, 2013

Liz Magor
I is being This
November 16–December 22, 2012

Christina Mackie, Jerry Pethick
Bigger than a book, wilder than a tree
September 14–October 27, 2012

Judy Radul
April 27–June 9, 2012

Julia Feyrer
Alternatives and Opportunities
March 2–April 14, 2012

Ian Wallace
Masculin/Féminin
January 13–February 18, 2012

Ulla von Brandenburg, Guy de Cointet, Geoffrey Farmer, Janice Kerbel, Daria Martin, Judy Radul
People Things Enter Exit
October 28–December 10, 2011

Ron Terada
Jack
September 3–October 8, 2011

Robert Kleyn
Works 1969–1983
May 20–June 25, 2011

Arabella Campbell
March 25–April 30, 2011

Alex Morrison
February 3–March 12, 2011

Brian Jungen
November 19, 2010–January 15, 2011

Kevin Schmidt
September 17–October 23, 2010

Damian Moppett
The Sculptor’s Studio is a Painting
May 21–June 26, 2010

Geoffrey Farmer
The Surgeon and the Photographer
January 29-March 6, 2010

Myfanwy MacLeod
Gold
November 6–December 12, 2009

Ian Wallace
Works 1970–1979
September 18–October 24, 2009

Brian Jungen, Rebecca Belmore, Myfanwy MacLeod, Kevin Schmidt, Alex Morrison, Sam Durant, Ron Terada, Geoffrey Farmer, Jin-me Yoon
Loaded
May 15–June 20, 2009

Christos Dikeakos
March 26–April 25, 2009

Gareth Moore
Uncertain Pilgrimage
January 15–February 14, 2009

Jin-me Yoon
October 30–November 29, 2008

Jerry Pethick
September 12–October 11, 2008

Ron Terada
May 23–June 28, 2008

Germaine Koh
April 11–May 10, 2008

Roy Kiyooka, Damian Moppett, Jerry Pethick, Ian Wallace
Process as Work
February 29–March 29, 2008

Kelly Wood, Monika Grzymala
January 18–February 16, 2008

Alex Morrison
November 23–December 22, 2007

Ian Wallace
October 18–November 17, 2007

Judy Radul
September 7–October 6, 2007

Arabella Campbell
June 8–July 7, 2007

Brian Jungen
April 27–May 26, 2007

Sam Durant
Scenes from the Pilgrim Story: Natural History
March 16–April 14, 2007

Damian Moppett
Progress in Advance of the Fall
January 19–February 24, 2007

Isabelle Pauwels
November 25–December 22, 2006

Geoffrey Farmer
Airliner Open Studio
October 21–November 18, 2006

Kevin Schmidt
September 9–October 7, 2006

Gareth Moore, Jacob Gleeson
St. George Marsh
August 24–September 1, 2006

Christos Dikeakos, Geoffrey Farmer, Arni Haraldsson, Brian Jungen, Roy Kiyooka, Germaine Koh, Myfanwy MacLeod, Damian Moppett, Isabelle Pauwels, Jerry Pethick, Judy Radul, Kevin Schmidt, Ron Terada, Ian Wallace, Jin-me Yoon
274 East 1st
June 3–July 8, 2006

Christos Dikeakos
November 25, 2005–January 16, 2006

Alex Morrison, Isabelle Pauwels, Frances Stark, Johannes Wohnseifer
And to stop you interfering, I shall have to dematerialize you again
October 13–November 19, 2005

Geoffrey Farmer, Brian Jungen, Germaine Koh, Myfanwy MacLeod, Damian Moppett, Alex Morrison, Ron Terada, Ian Wallace, Kelly Wood
Mix with care
July 5–September 24, 2005

Ron Terada
May 20–June 25, 2005

Arabella Campbell, Neil Campbell, Ron Terada, Ian Wallace
Painting After Poverty
April 8–May 14, 2005

Sam Durant
Color Pictures
February 25–March 2, 2005

Germaine Koh
Shell
January 14–February 19, 2005

Roy Kiyooka
Open Window on a Slow Train
December 2004

Jin-me Yoon
Fugitive
October 22–November 27, 2004

Myfanwy MacLeod
Don’t Stop Dreaming
September 10–October 16, 2004

Artist Curating Artists:
Damian Moppett curates Allison Hrabluik and Zin Taylor
May 28–June 26, 2004

Geoffrey Farmer
Every Surface In Some Way Decorated, Altered or Changed Forever (Except the Float)
April 7–May 15, 2004

Artist Curating Artists:
Myfanwy MacLeod curates Kyla Mallett
February 11–March 13, 2004

Damian Moppett
1815/1962
October 30–December 6, 2003

Carsten Höller, Cameron Jamie, Jakob Kolding, Myfanwy MacLeod, Kyla Mallett, Valérie Mréjen, Isabelle Pauwels, Raymond Pettibon, Ron Terada, Lawrence Weiner, Erwin Wurm
Seethe
September 10–October 25, 2003

Iain Baxter, Geoffrey Farmer, Roy Kiyooka, Germaine Koh, Myfanwy MacLeod, Ron Terada
I Sell Security
May 29–August 16, 2003

Kelly Wood
Black Plastic
April 11–May 17, 2003

Ian Wallace
February 28–April 5, 2003

Alex Morrison
Housewrecker
January 17–February 22, 2003

Allyson Clay
November 29–December 21, 2002

Ron Terada
September 6–October 12, 2002

Germaine Koh, Alex Morrison, N.E. Thing Co., Ron Terada, Ian Wallace
Signage
June 8–August 31, 2002

Christos Dikeakos
March 21–April 20, 2002

Germaine Koh
March 8–April 13, 2002

Brian Jungen
February 1–March 2, 2002

Geoffrey Farmer
Catriona Jeffries Catriona
September 9–October 9, 2001

Myfanwy MacLeod
Miss Moonshine
September 7–October 6, 2001

Geoffrey Farmer, Germaine Koh, Myfanwy MacLeod, Damian Moppett, Ron Terada, Jin-me Yoon, Kelly Wood
Supernatural Fairytales (Pink Island)
June 8–August 25, 2001

Ian Wallace
My Heroes in the Street
March 9–April 14, 2001

Jerry Pethick
Traverse
February 19–March 3, 2001

Roy Kiyooka
Filmic Works 1978–1980
November 30–December 21, 2000

Arni Haraldsson
Jerusalem
September 8–October 14, 2000

Iain Baxter
Vacuum Forms
April 27–June 3, 2000

Damian Moppett
Impure Systems
February 4–March 11, 2000